R. Jourdain, Das wohltemperierte Gehirn, Auszug: Bibliographie
Die in den Titeln entahltenen kleineren Übertragungsfehler sin noch
nicht korrigiert!
zurück
-
Aiello, P.; Sloboda, J. A. Musical Perceptions. Oxford (Oxford University
Press) 1994.
-
Aitkin, L. The Auditory Cortex: Structural and Functional Bases of Auditory
Perception. New York (Chapman and Hall) 1990.
-
Ardila, A.; Ostrosky-Solis, F. (Hrsg.) The Right Hemisphere: Neurology and
Neuropsychology. New York (Gordon and Breach) 1984.
-
Asanuma, H. The Motor Cortex. New York (Raven Press) 1989.
-
Backus, J. The Acoustical Foundations of Musie. New York (W. W. Norton and
Company) 1977.
-
Baddeley, A. D.; Wilson, B. A.; Watts, F. N. (Hrsg.) Handbook of Memory
Disorders. New York (John Wiley & Sons) 1995.
-
Baddeley, A. D.; Wilson, B. A.; Watts, F. N. (Hrsg.) The Psychology of Memory.
New York (Basic Books) 1976.
-
Barbizet, J. Human Memory und Its Pathology. San Francisco (W. H. Freeman
and Company) 1969.
-
Barlow, H. B.; Mollon, J. D. The Senses. Cambridge (Cambridge University
Press) 1982.
-
Bekker, P. The Orchestra. New York (W. W. Norton & Company) 1936. Berlin,
E. A. Ragtime: A Musical and Cultural History. Berkeley (University of Califomia
Press) 1980.
-
Berry, W. Structural Functions in Music. New York (Dover Publications) 1987.
-
Bianki, V. L. The Mechanisms of Brain Lateralization. Philadelphia (Gordon
an d Breach Science Publishers) 1989.
-
Block, R. A. Cognitive Models of Psychological Time. Hillsdale, N.J. (Lawrence
Erlbaum Assoeiates) 1990.
-
Boden, M. A. Die Flügel des Geistes. Kreativität und künstliche
Intelligenz. München (dtv) 1995.
-
Boyd, J. Musicians in Tune: Seventy-five Contemporary Musicians Discuss ,
the Creative Process. New York (Simon & Schuster) 1992.
-
Brandel, R. The Musie of Central Africa. An Ethnomusicologieal Study. The
Hague (Martinus Nijhoff) 1973.
-
Brindle, R.S. Musical Composition. Oxford (Oxford University Press) 1986.
Brindle, R.S. The New Music: The Avant-garde Since 1945. Oxford (Oxford
University Press) 1975.
-
Broughton, S.; Eilingham, M.; Muddyman, D.; Trillo, R. (Hrsg.) World Music:
The Rough Guide. London (Rough Guides Ltd.) 1994.
-
Buser, P.; Imbert, M. Audition. Cambridge, mass. (MIT press) 1992.
-
Butler, D. The Musician's Guide to Perception and Cognition. New York (Schirmer
Books) 1992.
-
Caplan, D. (Hrsg.) Diologieal Studies of Mental Processes. Cambridge, Mass.
(MIT-Press) 1980.
-
Carse, A. The History of Orchestration. New York (Dover Publications) 1964.
Cazals, Y.; Homer, K. Auditory Physiology and Perception. Oxford (Pergamon
Press) 1992.
-
Clynes, M. (Hrsg.) Musie, Mind, and Brain: The Neuropsychology of Music.
New York (Plenum Press) 1982.
-
Cook, N. A Guide to MusicalAnalysis. New York (George Braziller) 1987. Cook,
N. Music, Imagination, and Culture. Oxford (Clarendon Press) 1990. Cooke,
D. The Language of music. Oxford (Oxford University Press) 1959. Cooper,
D. A Companion to Aesthetics. Oxford (Basil Blackwell) 1995. Cooper, G. W.;
Meyer, L. B. The Rhythmic Structure of Music. Chicago
-
(University of Chicago Press) 1960.
-
Copland, A. What to Listen for in Music. New York (MeGraw-Hill) 1939. Corballis,
M. C. The LopsidedApe: Evolution of the Generative Mind. Oxford
-
(Oxford University Press) 1991. Critchley, M.; Henson, R. A. Music and the
Brain. Springfield, 111. (Charles C. Thornas) 1977.
-
Crocker, R. L. A History of Musical Style. New York (MeGraw-Hill) 1966. Cytowie,
R. E. Farben hören, Töne schmecken. Berlin (Bybios) 1998.
-
Dallin, L. Techniques of Twentieth Century Composition, 3. Aufl. Dubuque,
lowa (Wm. C. Brown Company) 1974.
-
Damasio, A. R. Desearies'Irrtum - Fühlen, Denken und das menschliche
Gehirn. München (dtv) 1997.
-
Dancy, J.; Sosa, E. A Companion to Epistemology. Oxford (Basil Blackwell)
1993.
-
Davidson, B. Kingdoms ofafrica. New York (Time-Life Books) 1966.
-
Davies, J. B. The Psychology of Music. Stanford (Stanford University Press)
1978.
-
Delamont, G. Modern Harmonie Technique. New York (Kendor Musie) 1965. Del
Mar, N. Anatomy of the Orchestra. Berkeley (University of Califomia Press)
1981.
-
Deutsch, D. (Hrsg.) The Psychology of Music. New York (Academic Press) 1982.
-
Donald, M. Origins of the Modern Min& Three Stages in the Evolution of
Culture and Cognition. Cambridge, Mass. (Harvard University Press) 1991.
-
Dorian, F. The History of Music in Performance: The Art of Musical
Interpretationfrom the Renaissance to Our Day. New York (W. W. Norton and
Company) 1942.
-
Dowling, J. W.; Harwood, D. L. Music Cognition. Orlando, Fla. (Academic Press)
1986.
-
Dubal, D. Evenings with Horowitz. New York (Birch Lane Press) 199 1.
-
Dubal, D. Reflectionsfrom the Keyboard: The World of the Concert Pianist.
New York (Surnmit Books) 1984.
-
Dudai, Y. The Neurobiology of Memory: Concepts, Findings, Trends. Oxford
(Oxford University Press) 1989.
-
Dufallo, R. Trackings: Composers Speak with Richard Dufallo. Oxford (Oxford
University Press) 1989.
-
Durant, A. Conditions of Music. Albany (State University of New York Press)
1984.
-
Edwards, P. (Hrsg.) The Encyclopedia of Philosophy. New York (Macmillan)
1967.
-
Ellis, U. C.; Hunt, R. R. (Hrsg.) Fundamentals of Cognitive Psychology. Madison,
Wis. (Brown & Benchmark) 1993.
-
Farnsworth, P. R. Musical Taste: Its Measurement and Cultural Nature. Stanford
(Stanford University Press) 1950.
-
Feder, S.; Karmel, R. L.-, Pollack, G. H. (Hrsg.) Psychoanalytic Explorations
in Music. Madison, Conn. (International Universities Press) 1990.
-
Frith, S. Sound Effects: Youth, Leisure, and the Politics of Rock 'n'Roll.
New York (Pantheon Books) 198 1.
-
Fuster, J. M. The Prefrontal Cortex. New York (Raven Press) 1989. Gardner,
H. Dem Denken auf der Spur. Stuttgart (Klett-Cotta) 1989. Gardner, H. So
genial wie Einstein. Stuttgart (Klett-Cotta) 1996.
-
Gardner, H. Abschied vom IQ. Stuttgart (Klett-Cotta) 1998, 2. Aufl.
-
Gardner, H. Der umgeschulte Kopf. Stuttgart (Klett-Cotta) 1996, 3. Aufl.
Gazzaniga, M. S. (Hrsg.) Handbook of Cognitive Neuroscience. New York (Plenum
Press) 1984.
-
Geschwind, N., Galaburda, A. M. Cerebral Dominance: The Biological Foundations.
Cambridge, Mass. (Harvard University Press) 1984.
-
Gill, F. B. Ornithology. New York (W. H. Freeman and Company) 1990. Gregory,
R. L. (Hrsg.) The Oxford Companion to the Mind. Oxford (Oxford University
Press) 1987.
-
Griffin, D. R. Listening in the Dark: The Acoustic Orientation of Bats and
Men. lthaca (Cornell University Press) 1986.
-
Gulick, L. W.; Gescheider, G. A.; Frisina, R. D. Hearing: Physiological
Acoustics, Neural Coding, and Psychoacoustics. Oxford (Oxford University
Press) 1989.
-
Haie, J. The Civilization of Europe in the Renaissance. New York (Atheneum)'
1994.
-
Handel, S. Listening: An Introduction to the Pereeption ofauditory Events.
Cambridge, Mass. (MIT Press) 1993.
-
Hargreaves, D. The Developmental Psychology of Music. Cambridge (Cambridge
University Press) 1986.
-
Hecaen, H.; Albert, M. L. Human Neuropsychology. New York (John Wiley &
Sons) 1978.
-
Hellige, J. B. Hemispheric Asymmetry: What's Right and What's Left. Cambridge,
Mass. (Harvard University Press) 1993.
-
Hindenüth, P. Der Komponist in seiner Welt. Mainz (Schott) 1994.
-
Howe, M. J. A. The Origins of Exceptional Abilities. Oxford (Blackwell
Publishers) 1990.
-
Hugdahl, K. Handbook of Dichotic Listening: Theory, Methods and Research.
New York (John Wiley & Sons) 1988.
-
lsaacson, R. L. The Limbic System. New York (Plenum Press) 1982.
-
lsaksen, S. G. (Hrsg.) Frontiers of Creativity Research: Beyond the Basics.
Buffalo, N.Y. (Bearly Limited) 1987.
-
Izard, C. E.; Kagan, J.; Zajonc, R. B. Emotions, Cognition, & Behavior.
Cambridge (Cambridge University Press) 1984.
-
Jackendoff, R. Languages of the Mind.- Essays on Mental Representation.
Cambridge, Mass. (MIT Press) 1992.
-
Jamison, K. R. Touched with Fire: Manic-Depressive Illness und the Artistie
Temperament. New York (The Free Press) 1993.
-
Jones, M. R.; Holleran, S. (Hrsg.) Cognitive Bases of Musical Communication.
Washington, D.C. (American Psychological Association) 1992.
-
Kandel, E. R.; Schwartz, J.H.; Jossel, T. M. (Hrsg.) Neurowissenschaften.
Heidelberg (Spektrum Akademischer Verlag) 1995.
-
Kitterle, F. L. (Hrsg.) Hemispherie Communication: Mechanisms and Models.
Hillsdale, N.J. (Lawrence Erlbaum Associates) 1995.
-
Kolb, B '; Whishaw, 1. Q. (Hrsg.) Neuropsychologie. Heidelberg (Spektrum
Akademischer Verlag) 1996, 2. Aufl.
-
Kosslyn, S. M.; Koenig, 0. Wet Mind: The New Cognitive Neuroscience. New
York (The Free Press) 1992.
-
Kostelanetz, R. On Innovative Music(ian)s. New York (Proscenium Publishers)
1989.
-
Krumhansl, C. L. Cognitive Foundations of Musical Pitch. Oxford (Oxford
University Press) 1990.
-
Lawrence, 1. Composers and the Nature of Music Education. London (Scolar
Press) 1978.
-
Lebrecht, N. The Book of Musical Anecdotes. New York (The Free Press) 1985.
-
Lebrecht, N. The Maestro Myth. New York (Birch Lane Press) 199 1. Levenson,
T. Measurefor Measure: A Musical History of Science. New York (Simon &
Schuster) 1994.
-
Levinthal, C. F. Messengers of Paradise: Opiates and the Brain. New York
(Doubleday) l@88.
-
Lieberman, P. The Biology and Evolution of 1,anguage. Cambridge, Mass. (Harvard
University Press) 1984.
-
Livesey, P. J. Learning and Emotion: A Biological Synthesis. Bd. 1, Evolutionaty
Processes. Hillsdale, N.J. (Lawrence Erlbaum Associates) 1986.
-
Lockspeiser, E. Debussy. New York (Collier) 1951.
-
Luce, D. R. Sound and Hearing: A Conceptual Introduetion. Hillsdale, N.J.
(Lawrence Erlbaum Associates) 1993.
-
Lurija, A. R. Higher Cörtical Functions in Man. New York (Basic Books)
1980.
-
Lurija, A. R. Das Gehirn in Aktion. Reinbek (Rowohlt) 1992.
-
McAdams, S.; Bigand, E. Thinking in Saund. Oxford (Oxford University Press)
1993.
-
McGreevy, J. Glenn Gould, by Himself and His Friends. New York (Doubleday)
1983.
-
McNaughton, N. Biology and Emotion. Cambridge (Cambridge University Press)
1989.
-
Maconie, R. The Concept of Music. Oxford (Clarendon Press) 1990.
-
Macphail, E. M. Brain and Intelligence in Vertebrates. Oxford (Clarendon
Press) 1982.
-
Mandler, G. Mind and Body: Psychology of Emotion and Stress. New York (W.
W. Norton and Company) 1984.
-
Mavromatis, A. Hypnagogia. London (Routledge & Kegan Paul) 1987. Mellers,
W. Music in a New Found Land: Themes and Developments in the History ofamerican
Music. London (Faber and Faber) 1987.
-
Meyer, L. B. Emotion and Meaning in Music. Chicago (University of Chicago
Press) 1956.
-
Meyer, L. B. Explaining Music: Essays and Explorations. Berkeley (University
of Califomia Press) 1973.
-
Miller, L. K. Musical Savants: Exceptional Skill in the Mentally Retarded.
Hillsdale, N.J. (Lawrence Erlbaum Associates) 1989.
-
Moore, B. C. J. An Introduetion to the Psychology of Hearing. New York (Academic
Press) 1989.
-
Moore, D. A Guide to Musical Styles. New York (W. W. Norton and Company)
1962.
-
Morgenstem, S. (Hrsg.) Composers on Musie: An Anthology of Composers'
Writings@from Palestrina to Copland. New York (Pantheon Books) 1956.
-
Mursell, J. L. The Psychology of Music. New York (W. W. Norton and Company)
1937.
-
Napier, J. Hands. Princeton (Princeton University Press) 1993.
-
Nichols, R. Debussy Remembered. Portland, Oreg. (Amadeus Press) 1992. Nichols,
R. Ravel Remembered. New York (W. W. Norton and Cornpany) 1987.
-
Norman, D. The Illustrated Encyclopedia of Dinosaurs. New York (Creseent
Books) 1985.
-
Norton, R. Tonality in Western Culture. University Park (Pennsylvania State
University Press) 1984.
-
Obler, L. K., Fein, D. (Hrsg.) The Exceptional Brain.- Neuropsychology of
Talent and Special Abilities. New York (Guilford Press) 1988.
-
Ochse, R. Before the Gates of Excellence: The Determinants of Creative Genius.
Cambridge (Cambridge University Press) 1990.
-
Olson, H. F. Music, Physics and Engineeritig. New York (Dover Publications)
1967.
-
Ostwald, P. Schumann: The Inner Voices of a Musical Genius. Boston (Northeastern
University Press) 1985.
-
Parrott, 1. The Music of Rosemary Brown. London (Regeney Press) 1978. Pattison,
R. The Triumph of Vulgarity: Rock Musie in the Mirror of Romanticism. Oxford
(Oxford University Press) 1987.
-
Pierce, J. R. Klang. Heidelberg (Spektrum Akademischer Verlag) 1989, 2. Auf].
Pinker, S. Der Sprachinstinkt. München (Kindler) 1996.
-
Plaisants, D. The Agony of Modern Music. New York (Simon & Schuster)
1955.
-
Popper, A. N.; Fay, R. R. (Hrsg.) Comparative Studies of Hearing in Vertebrates.
New York (Springer) 1980.
-
Popper, A. N.; Fay, R. R. (Hrsg,) The Mammalian A uditory Pathway:
Neurophysiology. New York (Springer) 1992.
-
Posner, M. I.; Raichle, M. E. Bilder des Geistes. Heidelberg (Spektrum
Akademischer Verlag) 1996.
-
Radford, J. Child Prodigies and Exceptional Early Achievers. New York (The
Free Press) 1990.
-
Rastall, R. The Notation of Western Music. New York (St. Martin's Press)
1982.
-
Restak, R. The Brain Has a Mind of Its Own. New York (Harmony Books) 1991.
-
Rdvdsz, G. Introduetion to the Psychology of Music. Norman (University of
Oklahoma Press) 1954.
-
Rorty, A. 0. (Hrsg.) Explaining Emotions. Berkeley (University of California
Press) 1980.
-
Rosenzweig, M. R.; Leiman, A. L. Physiological Psychology. Lexington, Mass.
(D. C. Heath and Company) 1982.
-
Rossing, T. D. The Science of Sound. New York (Addison-Wesley) 1990. Rowe,
M.; Aitkin, L. Infornwtion Processing in Mammalian Auditory and Tactile Systems.
New York (John Wiley & Sons) 1990.
-
Rowley, G. (Hrsg.) The Book ofmusic. London (New Burlington Books) 1977.
-
Sachs, C. Rhythm and Tempo: A Study in Musie History. New York (W. W. Norton
and Company) 1953.
-
Sachs, C. The Wellsprings of Music. New York (Da Capo Press) 1962. Sacks,
0. Eine Anthropologin auf dem Mars. Reinbek (Rowohlt) 1997. Sacks, 0. Awakenings
- Zeit des Erwachens. Reinbek (Rowohlt) 1991.
-
Sadie, S.; Latham, A. Stanley Sadie's Music Guide. Englewood Cliffs, N.J.
(Prentice Hall) 1986. Sagan, C. Unser Kosmos. München (Droemer) 1991.
-
Salzer, F. Structural Hearing: Tonal Coherence in Music. New York (Dover
Publications) 1952.
-
Salzman, E. Twentieth-Century Music: An Introduction. Englewood C-liffs,
N.J. (Prentice Hall) 1974.
-
Schaefer, J. New Sounds: A Listener's Guide to New Music. New York (Harper
& Row) 1987.
-
Schonberg, H. C. The Great Conductors. New York (Simon & Schuster) 1967.
-
Schonberg, U. C. The Great Pianists. New York (Simon & Schuster) 1987.
Schonberg, H. C. The Lives of the Great Composers. New York (W. W. Norton
and Company) 198 1.
-
Schonberg, H. C. The Virtuosi. New York (Random House) 1988.
-
Schullian, D. M.; Schoen, M. (Hrsg.) Music and Medicine. New York (Henry
Schuman) 1948.
-
Scruton, R. Kant. Oxford (Oxford University Press) 1982.
-
Seashore, C. E. Psychology of Music. New York (Dover Publications) 1967.
Shuter-Dyson, R.; Gabriel, C. The Psychology of Musical Ability. London (Methuen)
1981.
-
Sloboda, J. A. Generative Processes in Music. Oxford (Clarendon Press) 1988.
-
Sloboda, J. A. The Musical Mind.- The Cognitive Psychology of Music. Oxford
(Clarendon Press) 1985.
-
Solomon, M. Beethoven. New York (Schirmer Books) 1977.
-
Solomon, M. Mozart: A Life. New York (Harper Collins) 1995.
-
Sorrell, N. A Gulde to the Gamelan. London (Faber and Faber) 1990.
-
Sorrell, N.; Narayan, R. Indian Music in Performanci: A Practical Introduction.
Manchester (Manchester University Press) 1980.
-
Springer, S. P.; Deutsch, G. Linkes Gehirn, rechtes Gehirn. 4. Auflage.
Heidelberg (Spektrurn Akademischer Verlag) 1998.
-
Squire, L. R. Memory and Brain. Oxford (Oxford University Press) 1987. Squire,
L. R.-, Weinberger, N. M.; Lynch, G.; McGaugh, J. L. (Hrsg.) Memory: Organization
and Locus of Change. Oxford (Oxford University Press) 1991.
-
Stein, B. E.; Meredith, M. A. The Merging of the Senses. Cambridge, Mass.
(MIT Press) 1993.
-
Storr, A. Music and the Mind. New York (Ballantine Books) 1992.
-
Stuessy, J. Rock & Roll: Its History and Stylistic Development. Englewood
Cliffs, N. J. (Prentice Hall) 1990.
-
Stuss, D. T.; Benson, D. F. The Frontal Lobes. New York (Raven Press) 1986.
Sudnow, D. Talk's Body: A Meditation Between Two Keyboards. New York (Penguin
Books) 1979.
-
Sudnow, D. Ways of the Hand.- The Organization of Improvised Conduct. New
York (Harper & Row) 1978.
-
Thomas, H. Geschichte der Welt. München (dtv) 1987.
-
Thompson, J. G. The Psychobiology of Emotions. New York (Plenum Press) 1988.
-
Tighe, T. J.; Dowling, W. J. Psychology and Music: The Understanding of Melody
and Rhythm. Hillsdale, N.J. (Lawrence Erlbaum As,sociates) 1993.
-
Toch, E. The Shaping Forces in Musie. New York (Dover Publications) 1977.
Treffert, D. A. Extraordinary People: Understanding "Idiot Savants ". New
York (Harper & Row) 1989.
-
Van de Castle, R. L. Our Dreaming Mind. New York (Ballantine Books) 1994.
-
Vincent, J.-D. Biologie des Begehrens. Reinbek (Rowohlt) 1992.
-
Walker, A. Franz Liszt: The Virtuoso Years, 1811-1874. London (Faber and
Faber) 1983.
-
Walker, R. Musical Bellefs: Psychoacoustic, Mythical, and Edueational
Perspectives. New York (Teachers College Press) 1990.
-
Wallin, N. L. Biomusicology: Neurophysiological, Neuropsychological and
Evolutionary Perspectives on the Origins and Purposes of Music. Stuyvesant,
N.Y. (Pendragon Press) 1991.
-
Webster, D. B.; Popper, A. N.; Fay, R. R. (Hrsg.) The Mammalian Auditory
Pathway: Neuroanatomy. New York (Springer) 1992.
-
Weisberg, R. W. Kreativität und Begabung. Heidelberg (Spektrum Akademischer
Verlag) 1989.
-
Williams, M. Companion booklet to The Smithsonian Collection of Classic Jazz.
Washington, D.C. (The Srnithsonian Collection of Recordings) 1987.
-
Wills, C. Das vorauseilende Gehirn. Frankfurt (S. Fischer) 1996.
-
Yost, W. A.; Nielsen, D. W. Fundamentals of Hearing. New York (Holt, Rinehart
and Winston) 1985.
-
Zechmeister, E. B.; Nyberg, S. E. Human Memory.- An Introduction to Research
and Theory. Monterey, Calif. (Brooks/Cole Publishing Company) 1982.